{"title":"Originals","description":"\u003cp\u003e\u003cspan\u003eBorn from mindfulness and intention, these original artworks by Louise Clark capture the essence of nature. Explore the textures, layers, and stories within each unique piece.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"joy-original","title":"Joy (Original)","description":"\u003cstyle\u003e\n.price, .product__price, .product-form, .product-form__buttons, .shopify-payment-button, .product__inventory, .quantity, .product-form__quantity { display: none !important; }\n\u003c\/style\u003e\n\u003cp\u003eI painted this a few weeks after my miscarriage, on a sunny day in June, after a hospital appointment. We went to a pub with a beer garden and had a meal. There was sunshine and music, the kids were playing, and Miles and I sat still together. We knew where we stood by then, and that we'd be all right.\u003c\/p\u003e\n\u003cp\u003eWhat it holds is the small things: sun on my face, the sound of life carrying on around us — chatter, music, the breeze in the trees — and someone beside me.\u003c\/p\u003e\n\u003cp\u003eThis piece was auctioned for Zephyrs, a charity supporting families who've lost babies and children. I wanted that to be where it went — even after something that hard, there was still joy to be found.\u003c\/p\u003e\n\u003cp\u003eWatercolour on paper. Signed by me.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAuctioned for charity, now in a private collection. Prints to follow.\u003c\/em\u003e\u003c\/p\u003e","brand":"Louise Clark Art","offers":[{"title":"Default Title","offer_id":49700710547797,"sku":"LC-ORIG-001","price":100.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/8834\/0821\/files\/Joy-LouiseClark1.jpg?v=1729962880"},{"product_id":"the-divine-feminine-original","title":"The Divine Feminine (Original)","description":"\u003cp\u003eI drew this after a miscarriage in the summer of 2024. I was reading \u003cem\u003eThe Great Cosmic Mother\u003c\/em\u003e at the time and thinking a lot about the feminine: the earth as mother, me as a mother, and not being a mother this time around.\u003c\/p\u003e\n\u003cp\u003eOverlapping circles had become a comfort — the seed of life, the flower of life, the almond shape where two circles meet. Here I was playing with three, colouring the shapes they made so that no two neighbours matched. It came out jagged and disjointed, which is how I felt. But all of it is held inside the circle.\u003c\/p\u003e\n\u003cp\u003eIt's one of a pair with The Divine Feminine 2.\u003c\/p\u003e\n\u003cp\u003eWhite gel pen on 300gsm black watercolour paper. A4 (21 × 29.7 cm). Signed by me.\u003c\/p\u003e","brand":"Louise Clark Art","offers":[{"title":"Default Title","offer_id":49791900582229,"sku":"LC-ORIG-002","price":300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/8834\/0821\/files\/bf1347c490bd56eae763c224ce18245b.jpg?v=1730236157"},{"product_id":"tartan-torus-original","title":"Tartan Torus (Original)","description":"\u003cp\u003eI draw intuitively. A basic shape, one small thing inside it, and then that thing repeated until it runs out and something new has to happen. Here it began with the circles that make a torus, and the pattern grew outwards from there until it looked, by accident, like tartan.\u003c\/p\u003e\n\u003cp\u003eWhat I'm really after is the repetition itself. Getting each line in the right place, each circle accurate, the same mark again and again — it takes a focus that leaves no room for anything else. The me that's busy with small everyday things falls quiet, and what's left is the part that belongs to something larger. Part of the earth. Part of the whole.\u003c\/p\u003e\n\u003cp\u003eThe torus is a shape for that too: energy flowing out, round, and back in through its own centre. Nothing lost.\u003c\/p\u003e\n\u003cp\u003eWhite gel pen on 300gsm black watercolour paper. A4 (21 × 29.7 cm). Signed by me.\u003c\/p\u003e","brand":"Louise Clark Art","offers":[{"title":"Default Title","offer_id":49791915327829,"sku":"LC-ORIG-003","price":300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/8834\/0821\/files\/c2b334d0d680304b1f1e1ae47162bce5.jpg?v=1730236842"},{"product_id":"divine-feminine-2-original","title":"The Divine Feminine 2 (Original)","description":"\u003cp\u003eI drew this after a miscarriage in the summer of 2024. I'd been reading \u003cem\u003eThe Great Cosmic Mother\u003c\/em\u003e and thinking about the feminine — the earth as mother, me as a mother, and not being a mother this time around. Drawing circles, and the patterns they make when they overlap, had become a quiet comfort.\u003c\/p\u003e\n\u003cp\u003eWith this one I wanted something like a dreamcatcher: a shape that holds. The hopes that came with that time were real, and they mattered, even though it wasn't meant to be. This is a place to keep them — held, and still sacred.\u003c\/p\u003e\n\u003cp\u003eIt's one of a pair with The Divine Feminine.\u003c\/p\u003e\n\u003cp\u003eWhite gel pen on 300gsm black watercolour paper. A4 (21 × 29.7 cm). Signed by me.\u003c\/p\u003e","brand":"Louise Clark Art","offers":[{"title":"Default Title","offer_id":49842471666005,"sku":"LC-ORIG-004","price":300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/8834\/0821\/files\/2996f55d7fc9c75911dbcafb1de77ab2.jpg?v=1730931697"},{"product_id":"spume-original","title":"Spume (Original)","description":"\u003cp\u003eI started this lying on a picnic rug on Holkham beach. We were camping at Stiffkey with friends, the kids were happy in the sand, and I had a rare stretch of time with nothing to do but look at the sea.\u003c\/p\u003e\n\u003cp\u003eI often don't know how to start a thing, so I draw a framework first — a grid, a squiggle, some circles that overlap. Anything that narrows the options down and gives me something to work with. That's what the big circles are. Then the squiggles became waves, because that's what I was looking at, and I began filling the gaps between the waves and the circles with tiny bubbles. It was only later that I looked at it and saw sea foam.\u003c\/p\u003e\n\u003cp\u003eIt wasn't finished on the beach. All those little circles took a very long time, and it came home with me.\u003c\/p\u003e\n\u003cp\u003eWhite gel pen on 300gsm black watercolour paper. A4 (21 × 29.7 cm). Signed by me.\u003c\/p\u003e","brand":"Louise Clark Art","offers":[{"title":"Default Title","offer_id":49842492899669,"sku":"LC-ORIG-005","price":450.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/8834\/0821\/files\/5063d5a2cde1389857b0f9fc3f3697ad.jpg?v=1730932042"},{"product_id":"flow-state-original","title":"Flow State (Original)","description":"\u003cp\u003eI don't remember drawing this one, and that's the point of it. It was made in snatches: a pad of paper carried around, ten minutes on a park bench while the kids played, a cup of tea while they were busy with something else.\u003c\/p\u003e\n\u003cp\u003eI start with a circular grid in pencil. Then one tiny thing — sometimes just a dot — repeated all the way round. Often that's all I manage in one sitting. The next time I get a moment, I add one more small thing and take it round again, and slowly it builds into something bigger than any single sitting.\u003c\/p\u003e\n\u003cp\u003eA day with children is full of joy and full of demands. This is what the small gaps between them add up to: little moments of flow, where the busy everyday me goes quiet and the pattern takes over.\u003c\/p\u003e\n\u003cp\u003eWhite gel pen on 300gsm black watercolour paper. A4 (21 × 29.7 cm). Signed by me.\u003c\/p\u003e","brand":"Louise Clark Art","offers":[{"title":"Default Title","offer_id":49842500632917,"sku":"LC-ORIG-006","price":300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/8834\/0821\/files\/f8fee9f2463cab77f9b08a4bcf8d6f05.jpg?v=1730932124"},{"product_id":"walls-we-build-mandala-original","title":"The Walls We Build - Mandala (Original)","description":"\u003cstyle\u003e\n.price, .product__price, .product-form, .product-form__buttons, .shopify-payment-button, .product__inventory, .quantity, .product-form__quantity { display: none !important; }\n\u003c\/style\u003e\n\u003cp\u003eI drew this not long after our first camp for home-educating families. Being there was a revelation: sharing circles, singing, dancing, people showing up as themselves. Strangers, and they felt safe — nobody arriving with an idea of who I was. I came home able to see my own walls more clearly.\u003c\/p\u003e\n\u003cp\u003eThey're the stories you tell about yourself, layer on layer. They don't hide the real you. Given long enough, they become the real you. The mandala holds all of it, walls included, because that's the whole of a person. But once you can see them, you get to choose: which stories to put down, and which to bring to the front.\u003c\/p\u003e\n\u003cp\u003eIt wasn't drawn about miscarriage, but that's where I've seen those walls at their highest — the silence, the shame, not telling anyone you're pregnant in case you have to untell them. I told everyone. Those walls kept me isolated and in pain, and reaching out was hard, but it brought connection, understanding, and solidarity from people who'd been through the same. That's why this piece went to the Zephyrs auction, a charity supporting families who've lost babies and children.\u003c\/p\u003e\n\u003cp\u003eBlack ink and watercolour on 300gsm hot-pressed watercolour paper. A4 (21 × 29.7 cm). Signed by me.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAuctioned for charity, now in a private collection. Prints to follow.\u003c\/em\u003e\u003c\/p\u003e","brand":"Louise Clark Art","offers":[{"title":"Default Title","offer_id":49842502697301,"sku":"LC-ORIG-007","price":400.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/8834\/0821\/files\/a6ba90177c1a8b6326d3d6cbf5dce338.jpg?v=1730932150"},{"product_id":"emergence-original","title":"Emergence (Original)","description":"\u003cstyle\u003e\n.price, .product__price, .product-form, .product-form__buttons, .shopify-payment-button, .product__inventory, .quantity, .product-form__quantity { display: none !important; }\n\u003c\/style\u003e\n\u003cp\u003eThis one lives with a friend now. I knew she loved it, and she was having a hard time, so I gave it to her.\u003c\/p\u003e\n\u003cp\u003eI drew it while I was reading about black holes with the kids. I kept thinking about the event horizon: the circle of dark that not even light escapes, and all the light around it that hasn't fallen in yet. We're all light that hasn't fallen in yet. The not-now pulls at you with a force you can't fight, only ride, and whatever goes in comes apart — unravelled, changed, and something new on the other side.\u003c\/p\u003e\n\u003cp\u003eYou can't see what's coming, and that's so beautiful.\u003c\/p\u003e\n\u003cp\u003eWhite gel pen on 300gsm black watercolour paper. A4 (21 × 29.7 cm).\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIn a private collection. Prints to follow.\u003c\/em\u003e\u003c\/p\u003e","brand":"Louise Clark Art","offers":[{"title":"Default Title","offer_id":49842530255189,"sku":"LC-ORIG-008","price":300.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/8834\/0821\/files\/b7e9ea7d8c159d32d544eb118e16fe51.jpg?v=1730932467"},{"product_id":"rain-drops-original","title":"Rain Drops (Original)","description":"\u003cp\u003eI drew this after a camp for home-educating families — our first.\u003c\/p\u003e\n\u003cp\u003eWe'd been to plenty of groups where the children played together, but this was different. For a few days we lived alongside families who shared our values, and everyone came with an offering. Some were big: a women's circle, a men's circle, the dads keeping the children busy with games so the mums could go. Some were small: someone brought tea and stayed to talk. I sat and drew mandalas with a few of the adults, and when it rained I carried all my art things into the big yurt so the children had something to do. It felt like being held. I came home certain it was the start of something, and it was: the friends we made there are part of our lives now, and the ripples from that week are still spreading.\u003c\/p\u003e\n\u003cp\u003eThe rain came down in sheets on the last day, so water was on my mind. Each drop falls alone, and the rings spread out until they meet. That's what a camp full of people feels like.\u003c\/p\u003e\n\u003cp\u003eWhite gel pen on 300gsm black watercolour paper. A4 (21 × 29.7 cm). Signed by me.\u003c\/p\u003e","brand":"Louise Clark Art","offers":[{"title":"Default Title","offer_id":49842531598677,"sku":"LC-ORIG-009","price":300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/8834\/0821\/files\/7201ff2bf4ab01d7affe379b86e186d3.jpg?v=1730932533"},{"product_id":"glimmers-original","title":"Glimmers (Original)","description":"\u003cp\u003eThis was made at the end of one really lovely day on Anglesey. It was my daughter's birthday. We took a boat out to Puffin Island, had cake, and found a little gallery and art shop in Beaumaris selling handmade, textured paper. Just touching it was a glimmer — one of those small moments where everything else drops away and you're only in the feeling of something.\u003c\/p\u003e\n\u003cp\u003eWe ate fish and chips on the beach, and a seagull decided my paper, wrapped in white like the chips, was dinner. I had to grab it back. The wrapping still has a beak-shaped hole in it, which makes me laugh every time.\u003c\/p\u003e\n\u003cp\u003eI painted it that evening, looking out over the mountains of Snowdonia. The blues are the sea, the greens and purples are the mountains, and the gold is the sunlight sparkling on the water. The whole day was one long glimmer — colour and texture and laughter — and this is the end of it.\u003c\/p\u003e\n\u003cp\u003eWatercolour, gold gel pen and black fineliner on handmade textured paper. A4 (21 × 29.7 cm). Signed by me.\u003c\/p\u003e","brand":"Louise Clark Art","offers":[{"title":"Default Title","offer_id":49842544607573,"sku":"LC-ORIG-010","price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/8834\/0821\/files\/4594ebdda6eb6940038786f2b96a041d.jpg?v=1730932743"},{"product_id":"tranquil-trance-original","title":"Tranquil Trance (Original)","description":"\u003cp\u003eI started this one at home, with the kids two years younger and louder than they are now. I'd not long left my job and I wasn't in the best place.\u003c\/p\u003e\n\u003cp\u003eI find pattern and repetition soothing. The same line, the same curve, again and again, and somewhere in it the me that's concerned with all the small everyday things vanishes into the background. What's left is the part that belongs to something larger. Part of the earth. Part of the whole.\u003c\/p\u003e\n\u003cp\u003eThe shape underneath is a torus: energy flowing out, round and back in through its own centre, feeding itself, nothing lost. It felt like the right thing to be drawing.\u003c\/p\u003e\n\u003cp\u003eWhite gel pen on 300gsm black watercolour paper. A4 (21 × 29.7 cm). Signed by me.\u003c\/p\u003e","brand":"Louise Clark Art","offers":[{"title":"Default Title","offer_id":49842548834645,"sku":"LC-ORIG-011","price":400.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/8834\/0821\/files\/4f932e27252b78b40ed8f371d40b828f.jpg?v=1730932828"},{"product_id":"hope-original","title":"Hope (Original)","description":"\u003cp\u003eI painted this while I was pregnant, before I knew how it would go. There were signs that worried me, but the same thing had happened the whole way through my pregnancy with my older daughter, so I was hopeful. I chose bright greens, and it was a sort of willing: hold on, little life.\u003c\/p\u003e\n\u003cp\u003eI miscarried not long after. I've come to terms with it, and I've stopped needing to explain why it happened. I'm saying it plainly because it's so often not said at all. What's in this painting is the hoping, which was real when I did it and stays real regardless of how things turned out.\u003c\/p\u003e\n\u003cp\u003eWatercolour and black ink on 300gsm hot-pressed watercolour paper. A4 (21 × 29.7 cm). Signed by me.\u003c\/p\u003e","brand":"Louise Clark Art","offers":[{"title":"Default Title","offer_id":54666454303061,"sku":"HOP24","price":300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/8834\/0821\/files\/hope-original.jpg?v=1790199772"},{"product_id":"overthinking-original","title":"Overthinking (Original)","description":"\u003cp\u003eI don't remember drawing this exactly, but I know how it happened: standing at the window looking out at the garden, sketchpad left there, coming back to it whenever I had a moment. A few sittings, not many — I tend to hyperfocus on these.\u003c\/p\u003e\n\u003cp\u003eMy head is a busy place. Not racing thoughts exactly — more that there's a lot in there, and often I can't find the words for it. My head doesn't really do words or pictures; that all happens outside of it. The words come when I'm talking to someone, and the pictures come on the paper. So I draw, and the drawing is where the thinking becomes something I can see.\u003c\/p\u003e\n\u003cp\u003eThe dots are all of it: thoughts, ideas, reactions to noise and sound and sensation, floating about and not settling. The circles and the lines are me putting some order on them, so they make sense.\u003c\/p\u003e\n\u003cp\u003eBlack ink on sketchpad paper. A4 (21 × 27 cm). Signed by me.\u003c\/p\u003e","brand":"Louise Clark Art","offers":[{"title":"Default Title","offer_id":54666454335829,"sku":"OVE24","price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/8834\/0821\/files\/overthinking-original.jpg?v=1790199775"},{"product_id":"wintering-original","title":"Wintering (Original)","description":"\u003cp\u003eA half-mandala filling the right of the page, snowy blues and whites.\u003c\/p\u003e\n\u003cp\u003eI drew it in December on white paper, and it fought me the whole way. I kept making mistakes. Some of them I could keep: in a mandala, if you repeat a mistake all the way round, it stops being a mistake and starts looking like it belongs. Nobody can tell. Others were stuck out at the edges looking ridiculous, so I painted the whole background out in black ink. That's how it came to be a black piece at all — frustration, mostly.\u003c\/p\u003e\n\u003cp\u003eI'm all for stopping something that isn't working, and I do it often. But I was curious here: could I make something out of the mistakes rather than abandon them? The black turned the wrong parts into a background, and it made the colours in the mandala sing.\u003c\/p\u003e\n\u003cp\u003eIt still isn't my favourite thing I've made, and I think that's more about how I felt while making it than about the drawing itself. Looking at it now, I can appreciate it. It may well be for somebody else, and that's reason enough.\u003c\/p\u003e\n\u003cp\u003eWatercolour, gel pen and fineliner on hot-pressed watercolour paper, with a black ink background. A4 (21 × 29.7 cm). Signed by me.\u003c\/p\u003e","brand":"Louise Clark Art","offers":[{"title":"Default Title","offer_id":54666454499669,"sku":"WIN24","price":300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/8834\/0821\/files\/wintering-original.jpg?v=1790195708"},{"product_id":"stippled-moon-original","title":"Stippled Moon (Original)","description":"\u003cp\u003eOne of a series of small black squares I drew in early 2025: this moon, another moon with a snake across it, and then serpents on their own. I'd been reading about the old symbolism of the moon and the serpent, and it stayed with me.\u003c\/p\u003e\n\u003cp\u003eBoth are about renewal. The moon waxes and wanes, disappears and comes back — times of growing and times of retreat. The snake outgrows its skin, sheds it, and grows into a new one. That's how the world works, and we're the same. I was in the middle of it myself: leaving my corporate job, home educating full time, working out what I'd do next, and learning to take the mask off. There's power and beauty in that.\u003c\/p\u003e\n\u003cp\u003eThere isn't a single line on this page. It's only dots, building up until they look like something. I'd never really worked that way, so I tried it. A lot of my art is play, and picking up a technique I haven't used before puts me back at the beginning, which is where I have the most fun.\u003c\/p\u003e\n\u003cp\u003eWhite gel pen on black watercolour paper. 20 × 20 cm. Signed by me.\u003c\/p\u003e","brand":"Louise Clark Art","offers":[{"title":"Default Title","offer_id":54666454663509,"sku":"STIMOO25","price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/8834\/0821\/files\/stippled-moon-original.jpg?v=1790195713"},{"product_id":"lace-trance-original","title":"Lace Trance (Original)","description":"\u003cp\u003eOne of four drawings built on the same underlying structure — the circles that make a torus. I started each one the same way and then let a different pattern grow inside it. Tartan Torus came out like tartan. This one came out like lace.\u003c\/p\u003e\n\u003cp\u003eIt's a near-twin of Tranquil Trance 2, with the shading moved into the alternate sections: what was black there is white here, and what was white is black. The same pattern, inverted.\u003c\/p\u003e\n\u003cp\u003eIt's the repetition I'm after. Getting each line in the right place, each circle accurate, the same mark again and again — it takes a focus that leaves no room for anything else. The me that's busy with small everyday things falls quiet, and what's left is the part that belongs to something larger.\u003c\/p\u003e\n\u003cp\u003eWhite gel pen on 300gsm black watercolour paper. A4 (21 × 29.7 cm). Signed by me.\u003c\/p\u003e","brand":"Louise Clark Art","offers":[{"title":"Default Title","offer_id":54666454827349,"sku":"LACTRA24","price":300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/8834\/0821\/files\/lace-trance-original.jpg?v=1790199780"},{"product_id":"tranquil-trance-2-original","title":"Tranquil Trance 2 (Original)","description":"\u003cp\u003eI drew this straight after Tranquil Trance, using the same pattern but shading the opposite spaces — every part that was filled in before was left empty here, and every part that was empty got filled. The whole thing flips. That's where most of my work comes from: being curious about something and going to have a look.\u003c\/p\u003e\n\u003cp\u003eSome of it was drawn at a friend's kitchen table. My drawing doesn't stay at home or in the studio — it comes with me. It's one of the ways I settle and sort myself out, and you'll very rarely find me anywhere without something to draw on.\u003c\/p\u003e\n\u003cp\u003eWhat does the settling is the repetition. The same mark again and again, each circle drawn as accurately as I can manage, and the focus it takes leaves no room for anything else — including the part of me that's busy with small everyday things. That falls quiet, and what's left is the part that belongs to something larger.\u003c\/p\u003e\n\u003cp\u003eHold a magnifying glass to it and you'd see that where the circles meet isn't even all the way around. I know it's there. The detail is what carries it: enough of it and the wobbles stop mattering. It would never survive as a minimal piece, because then you'd see every one.\u003c\/p\u003e\n\u003cp\u003eWhite gel pen on 300gsm black watercolour paper. A4 (21 × 29.7 cm). Signed by me.\u003c\/p\u003e","brand":"Louise Clark Art","offers":[{"title":"Default Title","offer_id":55094475718997,"sku":"TRATRA2-24","price":300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/8834\/0821\/files\/tranquil-trance-2-original.jpg?v=1790199813"}],"url":"https:\/\/louiseclark.art\/collections\/originals.oembed?page=2","provider":"Louise Clark","version":"1.0","type":"link"}