The Imperfect Circle

A mown grass path through wild meadow and young trees at the farm in Screveton, with The Imperfect Circle logo over the sky

The Imperfect Circle

The hedge, the hand, the page.

Who told you you weren't creative?

They were wrong.

The Imperfect Circle is my small open studio on a farm in Screveton, opposite Caffe Velo Verde and five minutes from Bingham. Anyone can walk in. There's a table, good materials, ink I make from the hedge, and company.

Open Thursday to Sunday, 10 till 4.

Next workshop

Workshop dates

Four seats at one table.

See the datesAll dates

Out from the circle, one line at a time. None of them straight.

A short film of the studio, so you can see what it's like before you come.

Three ways in

Two spotted mugs of coffee on a yellow cloth, with a yellow jug of bamboo pens, brushes, ink bottles and a plant against the green studio wall

Just come and look

The door's open. An armchair, a shelf of books, something to doodle on, and the art on the walls. No pressure to buy anything, ever.

Free
How to find us
Louise at a table, drawing, with a tin of willow charcoal in front of her

A seat at the table

Pull up a stool beside me while I work. The inks, the paper and the pens are yours to use. Nothing has to be finished or shown. Save a seat for a morning or an afternoon, or just turn up.

£35 a morning or an afternoon
An hour is £20. Pay on the day.
Save me a seat
or just come in, Thursday to Sunday
Stripping rowan berries from the stalk by hand into an enamel pan

Workshops

Four of us round one table for a morning. Three to choose from: ink from the hedge, mandalas, or ink from freshly ground coffee. I show you how, and you take home what you made.

£95 a seat
See the dates

People often come in and tell me they know someone who would love this. If that's you, you can do more than tell them about it: give them an hour or a morning at the table, or a seat at a workshop. See the gift cards

The workshops

Three mornings, four seats each. Tree to Ink makes ink from whatever the hedge has that week, then draws with it. The Imperfect Mandala starts with a walk round the farm, then draws circles. Strong Coffee, Slow Lines is a late Sunday start with ink from the grounds. There's cake with all three.

A rowan tree heavy with red berries beside the mown path at the farm in Screveton Rowan berries simmering in a green enamel pan, stirred with a wooden spoon Three jars of rowan berry ink: coral, tan and olive, one berry with different things stirred in Overlapping circles painted in rowan berry ink on watercolour paper, in coral, tan, olive and near-black

It started with rowan. One berry, and the colour changes with what you stir in. You take a bottle home.

£95 a seat. Full refund up to 7 days before, and you can move your date up to 48 hours before. New dates reach the list two days before they go up anywhere else.

See the dates and book a seat

Coming here

Pod 3, The Eco Centre, Home Farm, Screveton, NG13 8JL. Directly opposite Caffe Velo Verde. Park on the farm, by the café.

Open Thursday to Sunday, 10 till 4. Five minutes from Bingham, a quarter of an hour from Newark, about twenty-five from Nottingham. The café is there for lunch after.

Open in Google Maps

Children are welcome at the table with their parent or guardian, one child each, and a child's seat costs the same as any other. It's a quiet table, so it suits a child who's happy to sit and draw for a while. Around eight and up is usually about right, but you know your child. The same goes for the workshops.

Say hello any time: hello@theimperfectcircle.co.uk. I read everything.

Louise Clark standing outside the glass front of The Imperfect Circle studio, keys in hand, with the studio chalkboard signs in the window

Look for the glass front, opposite the café.

Why I'm doing this

Louise Clark, smiling, in a brown hat under the treesLouise Clark

For a long time I lived by expectations I thought I'd chosen. They were mine, but they came from values I'd inherited and never questioned. As I've got older and life has changed, I have questioned them, and the ones I live by now are different. The energy it takes to live against your own values isn't something I have any more, or something I'm willing to spend. I've always been me. Art is where I learned who that was, and where I learned to trust myself.

Come as you are.

Louise

From the table

See the originals